Movie Review: Tar,

Written and directed by Todd Fields

Moral creativity in the arts is defined as the conscious transformation of moral values into artistic products.  Moral values are best elucidated by the questions that are evoked not by answers imposed. In this matter, Todd Fields has succeeded, and Cate Blanchard’s performance as Tar exceeds all expectations mightily.

This narrative, perhaps a tragedy or tragicomedy depending on the viewers sensibilities, follows the exploits and travails of Tar, a highly successful conductor of international acclaim. Along the way and in hindsight the viewer may question some of the following: the state of mind about personal power or lack thereof; the circumstances and consequences of gender roles in the arts and in life; the meaning and outcomes of “cancel culture”; the relationship of the value of the art to the character of the artist; the relationship of the abuser, the victim and the enablers. What is the meaning and associated value of “success” (or lack thereof), in art and in life? And more specifically, was Tar a monster or a victim?   

The questions posed in “Tar” remind this viewer of the Neils Bohr quote: “The opposite of fact is falsehood, but the opposite of one profound truth may very well be another profound truth.”  So, we are left with open ended questions, debatable outcomes, and the pleasure and rewards of the experience of moral creativity. The film runs 2h 37m, cinematography is beautifully executed, and the music score is wonderful. There are several actors’ performances deserving of high praise.

Tar: running time 2hrs 37m

Now playing in theatres and streaming.

Mitch Glassman E210

12/27/2022